Underneath This is pleased to present the second part of the interview with talented writer, Elliott DeLine. Please read below!
Your novels, “Refuse” and “I Know Very Well How I Got My Name” eloquently describes coming-of-age experiences of queer and trans young adults and youth. What inspired you to write these works?
Thank you. My own experiences inspired these works. I wanted to create something different from was out there already. I wrote the books I wanted to read when I was younger and struggling to find reflections of my own experiences.
What have been the most rewarding and challenging aspects of becoming an influential voice within trans and queer literature?
That’s a hard question to answer. I don’t really see myself as influential. Honestly, I have found it very challenging to “break out” so to speak, in the literary world. I’m not sure I’ve influenced other artists, but I have found it very rewarding to hear individually from readers, especially other trans people. I know that I have influenced some people’s lives with my work, and that is an awesome feeling.
I really appreciate your vulnerability in the essay, “Stages of Visibility.” How does composing nonfiction essays compare to writing fiction?
For me, the line between fiction and nonfiction is very blurry. I write both in much the same way. My fiction writing is very personal and almost always based off real life events, and my nonfiction is always using some poetic license.
“I Know Very Well How I Got My Name” includes experiences of bullying. If Dean were coming of age these days, how may his experiences be different?
I’m not sure. I work with queer youth and I get the sense they are still facing a lot of the same issues. Though it does seem like people are learning they are trans earlier and earlier. The media started talking more about bullying the past few years, but I’m skeptical that much has changed in schools. Maybe some schools.
How has the self-publishing process been?
It’s the only way I could do it. I’m a control freak when it comes to my art. But it’s also frustrating, because people don’t always take me as seriously as they do traditionally published authors. And I don’t make much money.
You were recently part of a Huffington Post live panel regarding trans and cisgender gay men dating each other. What do you think have been the barriers between cisgender queer and transgender communities collaborating more for social justice? In what ways has there been progress?
I’m not sure how or if there has been much progress. I’m probably the wrong person to ask. As far as barriers, the trans community is isolated from and misunderstood by cisgender people. Gay cis men are no different. It’s issues of language, class, priorities, privilege, etc., etc., etc. But if you’re asking specifically about cisgender queer people on the whole, I guess there has been some progress. If people identity as “cisgender queer people,” then I figure they at least get that I exist. But most people don’t call themselves that. I don’t think there has been that much progress in the LGB community towards accepting T and Q people. LGB people can be just as invested in upholding gender norms. In fact, if their idea of social justice is acceptance into the larger culture, then T people are really just getting in their way.
What feedback do you have for aspiring writers?
Oh god, I don’t know. Don’t take people’s feedback too seriously. If you realize no one is an authority, then you are more open to feedback. Just do your own thing and say what you mean and don’t freak out about being Literary. I agree with something Kurt Vonnegut said: “If you can talk, you can write.” Just tell a story. Write to be understood. Or don’t. I don’t know. Don’t listen to me.